Sunday, December 20, 2009

HAPPY HOLIDAYS FROM LAURIE ZUCKERMAN'S FAVORITE PLACE FOR CHRISTMAS—OAXACA



Happy Holidays to all my friends and family!

This photo is from the most magical place we have ever been for Christmas—Oaxaca, Mexico. This is the Catedral off the zocalo from Christmas 2008. It was a balmy Christmas season, with locals and tourists enjoying the lights, the nativity scenes, the balloon sellers, the cotton candy and the outdoor cafes surrounding the zocalo. Forget this white Christmas nonsense—Mexico has it all over Colorado.

Friday, December 18, 2009

LAURIE ZUCKERMAN'S PHOTOGRAPHS OF LA VIRGEN DE SOLEDAD IN OAXACA, MEXICO FROM DECEMBER 18, 2008



Last year, Laurie Zuckerman was in Oaxaca, Mexico partaking in the colonial city's stunning December festivals. Here are my photos from La Basilica del Virgen de Soledad, Oaxaca's patron saint, on the night the town comes out to celebrate her—December 18. A procession of patient worshippers spilled out of the church into the twilight evening. Afterwards revelers danced on the plaza with flower baskets balanced on their heads.














Friday, December 11, 2009

LAURIE ZUCKERMAN AND THE VIRGEN OF GUADALUPE SHARE DECEMBER 12 BIRTHDAY



Laurie Zuckerman's favorite Catholic saint if the Virgen of Guadalupe. We share the same birthday, so she feels personal to me, despite the fact I am neither Mexican or Catholic. I love taking photos of Guadalupe shrines in Mexico. Here are some of my favorite altar shots taken during the last visits to Oaxaca and Baja during the festivals for Guadalupe. Top picture is a church altar in Oaxaca; second picture down is from the festival at the Guadalupe church in Oaxaca; third picture down is from a church altar in Teotitlan del Valle, State of Oaxaca; fourth picture down is from a roadside shrine on a mountain road in Baja; the last picture is a basketweaver's home altar in Colonial Baja.









Wednesday, December 9, 2009

LAURIE ZUCKERMAN'S HOME ALTARS APPEAR IN LYNNE PERRELLA'S BRAND NEW PHOTO BOOK: ART MAKING & STUDIO SPACES



Laurie Zuckerman's oldest home altar appears as the title page of Lynne Perrella's brand new book: Art Making & Studio Spaces. Above is my close-up photograph of my Green Altar, physically begun in 1992, housing collections of Mexican and New Mexican religious folk art I began collecting in the late 1980s. I am so pleased to see this image printed full-page in Lynne's wonderful book. Below is another of my photos, which Lynne used as the last page of the book. It is a detail of my Mother of Sorrows altar, in honor of my mother, Blanche Kleid Zuckerman.




LAURIE ZUCKERMAN'S HOME ART STUDIO APPEARS IN LYNNE PERRELLA'S BRAND NEW BOOK: ART MAKING & STUDIO SPACES



Laurie Zuckerman just received her copy of Lynne Perrella's new book profiling 31 artists' studios: Art Making and Studio Spaces. I am extremely honored to be a participant in another of Lynne's sumptuous photography books alongside of some of my most admired mixed-media artists, Michael deMeng, Nancy Anderson, and Keith LoBue. After reviewing the book, I decided to post a few additional photos of my home, so that readers can get a broader impression of my home. The studio clutter remains mostly downstairs. The living room/dining room pictured below is always presentable. It is as much showcase as workspace. Sarah Blodgett's photography in Lynne Perrella's book gives the impression of riotous color, collections, and work materials underfoot everywhere. That is not always the case. There is space and order to my home, especially in the summer of 2008 when these photographs were taken. The colorful memory jugs featured in her book (see above page spread from the book featuring my dining room table workspace) were memory jugs in progress for the "Red Scare" installation, exhibited in my recent solo show at the Loveland Museum's Main Gallery.




Wednesday, December 2, 2009

LAURIE ZUCKERMAN'S ALTARS AND MEMORY JUGS PROFILED IN LYNNE PERRELLA'S NEW BOOK: ART MAKING & STUDIO SPACES



Laurie Zuckerman's altars and memory jugs are profiled in Lynne Perrella's hot-off-the-press book, Art Making and Studio Spaces. This is a unique book, as Lynne traveled the country photographing 30 artists' studios. I am so honored to be included with such well-regarded mixed-media artists as: Michael deMeng, Keith LoBue, Melissa Zink, and of course, Ms. Perrella. You can see the entire list of impressive names on the publisher's announcement attached to this post. I have at least two of my own photographs of my home altars that are supposed to appear in the book, plus at least six pages of photos that Sarah Blodgett, Lynne's photographer, shot of my home studio during the crush of getting ready for my exhibit at the Loveland Museum earlier this year.

Lynne Perrella wrote me this week to say, "Your work absolutely stands alone and captivates every viewer. As my husband would say "Resistance is futile!" I so regret that I was not able to come in and see your most recent show. Many of my colleagues/friends sent me postcards after they had seen it, and one even sent me a poster image that is in my studio.

"I used two of your altars as the bookends for the book. I think they look fabulous (of course) and provide such richness, as the reader "enters" the book…and then they "close" the book by appearing opposite the page where I have my acknowledgements and dedications."


Here is the impressive list of artists in the book. I am in great company:

Lynne Perrella
Lisa Hoffman
Lyn Bleiler
Monica Riffe
Judi Riesch
Michelle Ward
Pam Sussman
Linda & Opie O'Brien
Ellen Kochansky
Maria Moya
Bee Shay
Terrie Moore
Bill Wilson
Tracy V. Moore
Faye Anderson
Keith Lobue
Sas Colby
Steven Sorman
Melissa Zink
Armando Lopez
Nancy Anderson
R. O. Blechman
Fred Otnes
Sarah Blodgett
Pamela Armas
Jamie Purinton
LAURIE ZUCKERMAN
Michael deMeng
Judy Wilkenfeld
Johnnie Meier 



Amazon.com has copies of Lynne's book in stock. Here is the link to the book, which sells for $16.86. There are pages of the book you can preview on the Amazon site below.
http://www.amazon.com/Art-Making-Studio-Spaces-Intimate/dp/1592535399/ref=pd_ecc_rvi_cart_1

For more information about Lynne Perrella and this latest book project, visit her website:

http://www.lkperrella.com/

Monday, November 9, 2009

LAURIE ZUCKERMAN'S LOVELAND MUSEUM "MEMENTO MORI" EXHIBIT RECEIVES EXCELLENT VISITOR COMMENTS








Laurie Zuckerman's altars and memory jugs exhibition at the Loveland Museum—"Memento Mori: Deconstruction of the Nuclear Family," has received the following collection of gratifying compliments from old friends, local friends, art colleagues, and numerous people who do not know me or never saw my altar works before this exhibit. Thanks to all who have written with your generous reviews. I am most grateful for your support and your enthusiasm in spreading the word about my exhibit. 

Maureen Corey, the museum's gallery curator stated, "People who love the work are extremely enthusiastic and inspired—it’s great to see."

"Laurie, it’s quite a challenge to sum up the visual, emotional, and conceptual qualities of your show in a succinct manner. Visually, it calls for a cornucopia of adjectives to describe the multi-faceted altars, memory jugs, and photos. Try luscious, subdued, encrusted, tactile, hot, cold, precise, artfully haphazard, expansive, and contained; to wit, a box of assorted chocolates—dark, white, and caramel, creamy, nutty, and fruit-filled. Color grabbed my attention first upon entering the museum. I found the dominant use of red in American Vodou to be discomfiting, as was the nature of the piece. Red persists in my memory as the visual bang of the show. Conversely, Black Panthers felt like a chilly confection with white-white frou-frou figures on the upper rungs in sharp contrast with the sleek black striding cats on the bottom, neither color a subtle choice, reflecting the intent. Emotionally, the show triggered the detritus of my own familial and cultural associations—those uncomfortable feelings that lurk just beneath the surface: discomfort, anger, guilt, grief, and sadness. Your father’s shoes peeking out from under his altar prompted a spine tingle, as if George Zuckerman had just kicked them off and would return—soon—to reclaim them. Standing outside the white picket fence that serves as a viewing barrier of American Vodou, I felt a different kind of horror, one induced by the preponderance of all those racist objects contrasted with the somber photos of actual African Americans. The work was troubling and enlightening both. Oh, but there was plenty of humor and joy, too, especially when I discerned your intended jokes. Conceptually, your work is so chock-a-block full of allusions that I was mentally pressed to make all the connections. Some were obvious (the large red spider straddling the mother figure on Blanche’s memory jug); others perplexed (I overlooked the connection between the donkey party game and Democrats). Next time—and I hope there is a next time—I’ll want a detailed sheet of references and a catalog that I can browse at leisure. In the words of Ed Sullivan, it was a really good show."

Today I’m going to see Laurie Zuckerman's  presentation at the Loveland Museum/Gallery. Her memorial art is simply amazing! My favorite in this exhibit is “Red Scare” and the items she includes in this exhibit are astounding. The items evoke strong memories for me, and it was fun to see things I had – play ironing board and iron, fringed “Indian” vest, picture books, games, etc. How she sees potential these items as she collects them, and then arranges them in such organized profusion is simply amazing. Laurie was scheduled to speak last Thursday, but got snowed out. I hope the turnout today is good. This artist deserves the kudo of attendance! She’ll have my presence as a thank you present for the gift she gave our community in this exhibit. Sure hope she comes back again!

"Laurie's work: her altars and memory jugs are pieces that deserve a very wide audience because they are so beautiful and rich. I am so hoping to see them in the Santa Fe Art Museum or at the Smithsonian someday. These works are museum pieces without a doubt. The depth of beauty and thought are second to none, Laurie is a diva quality artist. Will someone who can put this work on a fabulous stage—or pedestal— please give her a call!!! I have watched the work evolve for at least 15 years. I can truthfully say Laurie's art work was born full grown, like Venus from the sea...it has always been stunning and rich, deep and dark, somber and humorous. This sort of multifaceted talent is rare...in Laurie Zuckerman it is the real deal. Rock on Laurie!!!"

"Last week I had the good fortune to go to the Loveland Museum (Colorado) to see Laurie Zuckerman’s altar show: Memento Mori and to hear her speak about it. Wow—it knocked my socks off!!! The altars are beautiful, disturbing, touching and sometimes funny!! Most of the altars are personal, domestic altars that Laurie lives with in her home. I was particularly touched by ”Donna’s Altar.” It is a memorial altar for Laurie’s closest cousin that died in a car accident just one week after her fairy-tale wedding and for the sister of her father that died in a flu epidemic. If you get a chance see the show!"

"I am so thrilled with the insightful review by Sarah Vaeth for Scene Magazine October 2009. She really "got it". The show was an amazing retrospective of work from the last 13 years. It is rich with Americana and personal history. You seem to be following in the footsteps of your screenwriter father, trading words for objects; you are a storyteller as big as a Hollywood screen, where intimate stories within a historical context resonate with universal truths. Keep up the good work Laurie!!"

"Your work is amazing. Your work really impacted me deeply—the ideologies and themes you express and write so eloquently about, the depth of insight, the color references and symbolism, the familial symbolism and congruency and your life being portrayed on so many levels in your work…fascinating! I spent hours looking at all the details in every work, on my knees even, to get every perspective. One could look for hours, with a magnifying glass even, and still not see all."

"I love that it is so personal. I first saw Laurie's work in Fort Collins and Loveland a few years ago and was really, really taken with it. Her attention to detail is amazing and each altar is just fun. Wait, can an altar to the dead really be considered fun? I think so, and beautiful and charming and joyful. Postpones that third death! This is the third or fourth exhibit of hers I have been able to see and each one is more intriguing than the next. Her memory jugs are pretty amazing, as well."

"Your show is reeling through my mind…so, so heartbreakingly beautiful. Not a day goes by that I don’t think of your altars; try to recall them in all their depth and detail. How I’d love to get inside each and crawl around looking at every object, they just beg to be touched and, treasured…such a fine cabinet of curiosities you assembled. Mind boggling, every detail begs a story."

"Your show was awesome, totally awesome. I hope that you'll find ways to market it for the next steps in your career. This is not just for you, but because it deserves to be seen, and will benefit people—the best sense of the value of art. It is also timely, in the same sense that the research I am doing is timely. It is a time to reconsider all those values. But additionally your show is beautiful, which makes it timeless."

"Your presentation last night was perfect. You give so much of yourself by your work and sharing your personal past stories. I know the altars are a story of your life but for you to take the visitors on the journey with you are so special for all in attendance. Every tiny figure that you use has a meaning. I love that about you and your talent. Enjoy the glory. You deserve every second of it."

"I wanted to write something different than anyone else had written, but I see than your art's effect on everyone is about the same - a bunch of people walking around with blown and bent minds that are awe inspired. I think your work is amazing! It's difficult to choose my favorite, but I like the memory jugs a lot. And the altars. And the tins and photos. Obviously, I am a fan."

"It is a truly amazing piece of work, not only each altar, photograph, tin box, memory vessel, but the whole museum installation itself also as an amazing work—the presentation-arrangement and how many long hours it took for you to install. I am very impressed, with this exhibit. Not only do I admire and love the work, but I feel a deep connection to it as well."

"Laurie, our friend came from Gunnison and I told him your show was a must see as he is an assemblage sculpture artist. Your show blew him away. He also was in awe of your talent and now he is a big fan. Way to go!"

"I spent several hours at your Loveland exhibition in awe of your incredible altars. You have an ingenious mind and a gentle heart, AND, I'm a little jealous about some of the lovely Mary pics you have on those altars! Thank you for your presence and the art that you gift us with."

"Your work is really incredible and my class will definitely appreciate seeing it. They will be very moved by what you've written and your images. Congratulations on your show—it must have been wonderful to share your work and touch many people!"

"Laurie Zuckerman's art exhibit at the Loveland Museum is absolutely wonderful! Her work is amazing, detailed and heart felt! She has created many large altars representing memorable times of her life. Plan to take some time to see this exhibit."

"Just wanted to thank you again for a wonderful day. It was great seeing the show.... just amazing! Incredible work...we definitely have a kindred spirit thing going with our world-views! Anyway, wishing you much success."

"I just saw your exhibition at the Loveland Museum and all I can say is WOW. So very cool. It pained me not to be able to take photos of it because there is SOOO much detail and I want to remember it all. It was fantastic!"

"This just sounds super, like some huge "happening" that validates all your years of creative work. I am so very proud of you, and I stand in for your parents who would be overwhelmed with happiness for your success."

"As promised, I wanted to thank you, again for your wonderful sentiments about family and relationships and passings in this life of process. Your show was/is just WONDERFUL. Thank you!!!"

"Your work is something that stayed with me days after the viewing. This means it works to touch deep into the silent space we all hold together—life, death and what we hold dear."

"It is breathtaking. Design was perfect and the quantity of objects is unbelievable. Congratulations. I am inspired to become more obsessive."

"I was blown away by your show; have e-mailed numerous friends telling them to run, not walk down to see it. It was beautiful; really touched an emotional chord in me- wow!!!!"

"Your art spoke to me. I will tell all my friends to go and I wish you much success! You are very talented and should be proud of yourself."

"You did a really great job and the show looks so polished and beautiful! You are gaining many fans! And you have earned them!"

"Your gallery talk, your 'being', your sharing was very meaningful and touching. The show is a knockout. Congratulations."

"Congratulations on yet another fantastic presentation! Your photographers were beautiful and your lecture was very informative."

"Laurie Zuckerman creates intricate, expansive, manic altars which spill out into the room, onto your feet."

"I can still see the shadows cast by the red aprons on the wall. I look forward to more time with the exhibit."

"I'm excited about your work, you have been true to your creative urges and that is certainly an endeavor."

"Thanks again. What an exciting exhibit! We are so fortunate to have an "artistic expert" such as yourself in our area!"

"My friends really enjoyed the show and were totally impressed. Another friend loved everything."

"This will be an unforgettable memory for me! THANKS FOR ALL YOUR HARD WORK!"

"Your show is looking magnificent. Your installation is going to "Knock People OUT!"

"I just got back from viewing the exhibit a second time—so rich, so much to take in!"

"Congratulations on an absolutely stunning show, and incredible achievement!" 

"Congratulations on your show. It is well-deserved and a long time coming."

"Your show and talent are awesome! I wish for you all great things." 

"Congratulations for a stunning show that the world should see!"

"I am so proud of you! Enjoy your glory, well deserved."

"I LOVED your show and have told many to check it out."

"Congratulations on a magnificent exhibition."


"Provocative and awe-inspiring art exhibit."

"Amazing and Wonderful! Thank you!"

"Thank you for your fabulous work."

"FABULOUS SHOW!!!"

"It is amazing!"

__________________________________________________

I have had the most gratifying interactions with many of the attendees at my exhibit. Here are the many generous comments left for me in the museum's comments book and in the mailbox of my American Vodou altar installation:


"A friend told me to come and I came straight away. My mother, with whom I was very close, died unexpectedly last month, and I am opening to and exploring the portal into the mystery. She is my second parent to die. I will be on my way in four days back to her home in Wisconsin to be with my siblings and see what is next. I find myself sometimes with people who are dying or who have died, assisting in and witnessing the transition. Also, I grew u in Baltimore in the 1950s, secularly Jewish for the most part, with a Christmas tree, too, although my father had been (and sometimes still was) a learned Jewish scholar. I lived in Haiti in 1973 and was interested in the native religion. In Baltimore, we had a Black woman come in to do the ironing. My paternal grandmother had Black servants. My brother and I played with Crazy Ikes. As I prepare to begin going through my Mom's home of 40 years, simultaneously preparing to leave my home here in Loveland of 16 years, into the unknown, your exhibit is fascinating to me."

"Well, Laurie, after visiting here three times, I finally am able to write something down. While again looking at the Bella Donna altar and reading about it again, it brings me to tears and I feel a deep wrenching in my heart. I mentioned to you I have no emotional relationship to my deceased family. All six passed by the time I was 35. I am an orphan. I blocked it all out. But friendship is where I come alive and my heart has found healing to love again and be vulnerable again, and the loss that altar represents touches the cord of healthy grief that I am now able to feel and express. So other than the fact that I wish I had kept more of my family possessions so I could create something like you have, because I can deeply sense how much it might give me a connection to my mother and father. I also realize the balance and symmetry you create is a talent I possess myself, and visually it is profoundly satisfying to me. Thank you for expressing yourself."

"These altars are wonderful memorials. I am from England and I remember visiting the cottages in our village where many old ladies lived. They had small altars of memorabilia/photos of their husbands/sons who had lost their lives in the first World War. There old ladies were not particularly religious, but they said is was of great comfort to them to have their altars, as it made them feel connected. I love your exhibition and thank you for putting your altars on display."

"Hi Laurie—wow! The memories invoked—the journey—this has grown so much from what I last saw in your house. Too powerful for words! Love the historical-psychological-familial relationships and your written stories about them. The color significance, the emotions and thoughts so many of us must share regarding many of the ideologies and prejudices you bring to this work—the events and practices we grew up with (Duck and Cover). I truly enjoyed this and I look forward to your presentation."

"Moving. A window into not only your soul but the soul of America, humanity and the tragedy, horror, strangeness and peculiarities that follow. Most touching for me was the altar to Donna and Elizabeth [Zuckerman]. Really just provocative and sorrowful. My grandfather, who passed last year at the age of 94, was beset with the flu in 1918, as well. I remember him telling me how they lost so many, and he got by, by the skin of his teeth. Thanks."

"Laurie, thank you for sharing your altars. I love them! They are deep and warm and yummy. Thank you for validating my "junk collecting!" I am starting an altarpiece myself and will be so happy if it turns out even half as awesome and detailed as anyone of yours. Also I thank you for sharing your thoughts and ideas and self with us while we were here. It's like we share the same brain! I adore your photography very much as well. Anyway, I could go on and on…"

"Thank you very much for contributing all of this marvelous work so people can see it. Your pieces have a lot to say and come off as passionate, powerful, and awe-inspiring. Each individual piece is very much representation of certain cultures and times. I will be sure to tell everyone I know to come see this. Also thank you very much for talking with me."

"These shrines have brought memories of my childhood, happy memories of play and friends. I grew up in the South and was touched by your "Mammy" shrine. For I too had a lady who ironed our clothes because my Mom worked. I called my Grandmother Mammy and my grandchildren call me Mammy. It means love and warmth to me. Thank you for this shrine."

"I love your creative vision and unique use and combination of objects. I can imagine you collecting, and also going through your parents' home. The placement in almost every piece is soothingly symmetrical and disturbing (although I think my favorite is your father's shoes at the foot of his altar.) thank you for the many layers and richness of your work."

“We three fiber artists have been mesmerized by your artful installation – your blissful hunt of all those stunning finds – equally phenomenal is your way of visually expressing the meaning behind each awesome installation… and the memory jars. Thank you! We will come again and bring others.”

"Laurie, I am glad I came. It was refreshing to see your art, and also to get a more personal feel for you. Seeing you as an artist outside of school, what you do for your work made me appreciate what you have us do in class. Thank you for suggesting this exhibit, I enjoyed every bit of it."

“Captivating! I made sure to take my time and even came back to re-admire my favs…especially the Black Panther Altar – it visually drew me in and kept me there for awhile. Thank you for your meticulous strength portrayed in each and every brilliant altar. Thank you!”

“I am writing a paper for my art appreciation class at Front Range Community College. Your installation was very interesting to look at and I noticed new elements even when I had thought I had seen everything.”

"Thank you so much for displaying all of these wonderful pieces of your life for us to view and appreciate. Each installation and altarpiece was so inspiring! My husband and I found ourselves captivated by the stories each of your works conveyed."

"This is my second time through the show and I'm still breathless. The amount of "stuff" is overwhelming (in a good way) but the depth of memory is inspiring. I'm hoping some of the obsession rubs off on me. Thank you."

“Wow Laurie – this is a beautiful show – the pieces really touch my heart and evoke so many memories. The textures, colors, shapes and figures are so gorgeous. I love your photos too – lovely. Thank you so much for sharing such personal pieces with us!!!”

"Laurie—Your depiction of thoughts, feelings, passion and grief are the most beautiful works I have ever seen. I am in awe of your work and hope that it is a catharsis for your soul. The colors and arrangements make everyday items strong and meaningful."

"Three friends, including self, have come to see your exhibit and seen through three different experiences! It's been wonderful. The layers of meaning, the presentation, the history, the cultural anthropology, the familial—very precious. Thanks Laurie."

“Laurie – Awesome – Loved it all. The photos of Mexico on the hallway walls are very moving. Where do you store all this- I thought I had too much stuff! All the installations are amazing, stunning. What a feat! Much success to you.”

"Evocative…nearly every installation had a piece (or more) that were like items in my grandmother's and mother's homes. Strong memories of a childhood of over 50 years ago. Your exhibit is forever imbedded in my heart, my mind, and my soul." A native Missourian.

"You're brilliant! It was nice meeting you again and feeling the energy of your work—impressive! I'll be back and bring my friends. It's very apt that your show is closing on El Diá de los Muertos—hmmm!!!Thank you so much."

"Your art is inspiring and I feel as though the love you have for your family, for art, and for American culture resonates with my own. As a fellow assemblage artist, I am amazed, delighted, and deeply moved. I hope to meet you in person!"

"As an artist of collage and boxes, I thought I had a lot of stuff, but you beat me by miles. I could stay here a week looking at your amazing work and still find more to look at. One of my favorite shows ever."

"Thank you for showing us the beauty of your art. This has touched me so much for so many reasons. I have come often to this show and leave each time feeling more spiritually renewed."

“Wonderful commentary on culture, oppression, and mass fear & normalization of a complex time in American history. I love the ancestor altars; wish we, as a culture would do this more. Thank you!”

“I love how personal your installations are… this extends through your viewers by the connections they can make with the individual objects as well as your themes of family. Incredible pieces!”

“Powerful. Important. History repeats unless we don’t forget. I threw away a mammy doll my mother-in-law had. Wonder if I should have kept it. Thanks.”

“Amazing. Sad. An eye feast. You have a very hard time letting go of emotional issues – but they are life-‘altering’ issues. Loved it.”

“Thank you for such an interesting, exciting show. The jugs are amazing me, installations are powerful.”

“This is a fantastic collection of memorabilia – put together in a satisfying yet disturbing display. It’s wonderful."

“What a knock-out exhibition – I could stand here all day studying what you have to tell me! Your work is amazing!”

“I was so excited to see you had this gorgeous display here at the museum. You taught me a few years ago at FRCC. I enjoyed this immensely! So nice to be reminded of you again.”

"There are not enough superlatives to describe this exhibit. Dramatic, authentic, thought provoking. Keep coming back, please!"

“This show is incredible – so moving, insightful & totally inspiring. So glad I found myself in town during the run of your show – pure serendipity."

“I loved this show, so unique, inspired, touching & thought provoking all at the same time! I would spend hours here if my little boy would let me! Hope all is well.”

"Your display or I should say magnificent art was amazing. I felt it deep within. Many of the works you have done was so creative is was breath-taking. Thank you for the experience!"

"I'm so lucky to have experienced this exhibit twice. I can't tell you how moving this all is. I will never forget this exhibit. Thank you so much."

"So glad I made it to your show. I'm inspired to create the altars to my parents that I've been wanting to make since they died. So good to meet you, too."

"What a great exhibit. I enjoyed it so much and felt so close to my Mother being here. What wonderful work. Thank you for sharing it with me."

"Thanks for inviting me to such a wonderful artist show. This art reminds me of my history and culture. Keep it up."

“Laurie, this is a delight to see your work. I didn’t imagine the lengths you have to go to, to produce such fascinating alters. My best to you.”

“Laurie, I think your parents would be proud of you. I recently suffered a tragic, shocking loss of a loved one and this was so very meaningful now. Thank you for the lovely work.”

"What an amazing, fascinating and thought-provoking exhibit—evoking emotions and pure incredulousness at all the detail that comprises the whole. Thank you, it's beautiful!"

“Laurie!! That was such an amazing show, every piece was so fascinating, a true pleasure to see, they were all so meaningful, deep and moving.”

“I was so moved by the collection. A native of Los Angeles, it returned me to Mexican soil, Jewish roots, and legacy. And the installation of the work is beautiful.”

"These pieces took me back to many childhood memories—good and bad. Stirred up more than I expected…Thank you!

"The impact is so tangible, pain, joy, memory, elation and fragility. Thank you for genuine expression of your true story."

"Incredible work! Takes us back to our Southwestern roots and the wonderful tradition of Diá de los Muertos."

"This is one of the most interesting and thought-provoking shows I have seen. Fantastic. Thank you."

"Wonderful encounter with my childhood and Catholicism. Thank you for sharing your creative élan!"

"Thank you, Laurie! What an honor to meet you and experience your amazing work."

"What an amazing exhibit—it brings back so many memories. So thought-provoking."

"This is a remarkable and thought-provoking exhibit. I am very glad we happened on it." 

"Laurie, your creations speak to the soul! Your creativity speaks to the heart! Many thanks."

“It’s true! It is the best museum along the Front Range and probably some other ranges, too.”

“Wonderful, so spectacular from one artist, and I met her here at the museum. Very nice.”

"Amazing and totally interesting—the best part was to be able to visit with Laurie."

"Really enjoyed the entire show. I want to make a memory jug (or at least a bottle!)"

"Beautiful and soulful. Thank you for sharing such deep emotion. This is inspiring."

"All of the objects come together in such a beautiful way. Thank you for sharing."

“A wonderful visual treat! I love the folk art – political intersection. Powerful.”

“Blown away! The only way I can describe it. Looking forward to your book.”

“What a fantastic unique display of life as we’ve known it the past 50 years!”

“A visual feast for the eyes and the soul. The memory jars are fantastic."

"Wow!! Creative, inspiring, artistic, spiritual. What a wonderful collection."

"Amazing and sacred work—a gift for all of us who have loved and lost."

"Most enjoyable—some of the best art and displays I've every seen."

"Great show. Especially loved reading about each altar and shrine."

"Very interesting. I loved your show. I was here three different times."

"Congratulations on an amazing show. You are incredibly talented."

“A joyful explosion of images that stagger the imagination!”

“Laurie, wow!! I can’t believe it happened. Looks beautiful, moving.

“Laurie – Awesome, totally awesome leaves me speechless.”

"Very heartwarming and brings about many fond memories."

"I came just to see your work! VERY inspiring, love it."

"Merci et Thank you. Very beautiful and powerful."

“Enjoyed revisiting the 50s and 60s of my childhood.”

"Laurie—Weird, thought-provoking and wonderful."

“We really enjoyed your beautiful talent. Wow!”

"This is wonderful. Thank you for sharing it!"

“Marvelous! A flashback for this 1950’s child!!

"Great Big Bravo! Amazing…simply amazing!"

"Laurie, as always so there and over the top!"

"Very powerful. Takes my breath away."

“This was the best art museum I’ve been to.”

"This was so much more than I expected."

"Very interesting and symbolic form of art."

"Incredible! Powerful messages. Wow!!!

"Loved the images and being drawn in."

"Two times viewing—enjoyed your work."

"Mouth-watering. Thank you!"

"Truly a beautiful nightmare!"

"Wonderful. Thank you."

"It's surprised me a lot!

"Absolutely fabulous!"

"Very moving experience!"

“Very, very impressive!”

"Truly amazing!"

“Awesome! Thank you!”

"Great exhibit Laurie!

“So unique an exhibit!”

"Very powerful.”

“This was fun.”

“I love the art.”

“These are cool.”

"Wow!"

“WOW”

“NEATO”

______________________________________________________

On September 16, 2009, I spoke to fifty 6th, 7th, and 8th graders who were on a field trip from Windsor Middle School to meet two "autonomous learners" at the Loveland Museum, curator, Tom Katsimpalis and myself. I received the following "Thanks for helping us enrich fertile minds" letters from the 6th Grade Autonomous Learners in Ruth Brunner's class.

"Dear Laurie Zuckerman, Thank you so much for showing us your amazing altars and telling us a little bit about yourself and your art. You altars are really amazing and creative. The memory jugs were really cool!"

"Dear Laurie Zuckerman, Thank you so much for the tours of your exhibits. You are very creative, unique, and autonomous. I really enjoyed the first altar with all the dolls. It was interesting that you used that lovely idea."

"Dear Ms. Zuckerman, Thank you for taking time to talk to us about your altars and memory jugs. Looking at your artwork helped me see an autonomous learner who is incredibly creative and patient. It must have taken a lot of time to get all of the items you need for your altars, and only an incredible and creative mind could come up with the perfect place and reason for all items and all altars and memory jugs. I hope I will be able to see more of your artwork in the future."

"Dear Laurie, Thank you so much for showing us your art. I thought that your pieces were amazing! I thought that you using all your pieces with red in it was very interesting."

"Dear Laurie, Thank you so much for sharing all of your altars with us. They were all so colorful and creative. I think it was cool that you did that exhibit on your Nanny."

"Dear Laurie, Thank you for teaching us about your altars. You are a very autonomous person. P.S. I think that you are autonomous because you can take on little thing and make it into something bigger."

Saturday, November 7, 2009

LAURIE ZUCKERMAN'S LOVELAND MUSEUM "MEMENTO MORI" EXHIBIT ENDED NOVEMBER 1. The museum's next show is Salvador Dali and the prior shows were Wayne Thiebaud's paintings and Gee's Bend Quilts




Laurie Zuckerman's altars and memory jugs exhibition at the Loveland Museum is not only over, it has all been packed and delivered back to Laurie's house, as of Friday, November 6th. It took four days and many friends and museum volunteers to box the show. It only took one day to load the 27 foot U-Haul with ALL of the work aboard. Now I am living amongst towers of boxes, which is not nearly as much fun as living with all my art displayed. It will take a long time to return my home to the showcase it was before my exhibit at the Loveland Museum. I only plan to unpack my upstairs altars for now, but won't begin that tedious process until Thanksgiving Break. I need a break from the show. It is a mental and physical relief that it is all over, but it was an even bigger relief that the show was so enthusiastically received. I didn't know what to expect. I am extremely lucky to have had this once-in-a-lifetime opportunity to have my work at such a great art museum.

Sunday, November 1, 2009

LAURIE ZUCKERMAN'S DAY OF THE DEAD LECTURE CONCLUDES LOVELAND MUSEUM ALTAR EXHIBIT




Laurie Zuckerman wants to thank the Colorado and Wyoming community for their generous interest and sincere support of her altar exhibition at the Loveland Museum, which ran from August 29 thru November 1, 2009. It has been an honor to meet so many interested viewers at my opening, both of my public lectures, the two Friday Gallery Walks, and on the many weekends I was photographing my exhibit. I will be posting everyone's generous comments on this site, so check my earlier "Comments" post in the days to come.

My El Diá de los Muertos lecture today was the perfect conclusion for my show, fitting, too, as today is the first day of the Day of the Dead. It was above and beyond my most well attended lecture, and a perfect audience. Thanks to all who attended my lectures, brought their friends, their husbands, their daughters, their sons, their mothers, and their partners, or returned two or three times to study the exhibit in depth.

Please feel free to stay in contact about your own altarwork and memorials for your family and friends.   I am always happy to help you in your own altar quests.

Thursday, October 29, 2009

LAURIE ZUCKERMAN DAY OF THE DEAD TALK AT HER LOVELAND MUSEUM EXHIBIT POSTPONED TO SUNDAY, NOVEMBER 1 @ 1 pm


Due to the snowstorm, Laurie Zuckerman's Day of the Dead slide lecture and gallery talk in conjunction with her memorial altar exhibit at the Loveland Museum has been postponed until Sunday, November 1, at 1 pm. The museum opens at 12 noon and closes at 4 pm. This is the last day of Laurie's nine-week exhibit.

Please join Laurie for this "closing" event program, which coincides with the first day of the Day of the Dead ceremonies.

Saturday, October 24, 2009

LAURIE ZUCKERMAN LOVELAND MUSEUM ALTAR EXHIBIT REVIEWED BY KENNETH JESSEN, for the Loveland Reporter-Herald, October 14th

The review below appeared in the Loveland Reporter-Herald on October 14 in conjunction with Laurie Zuckerman's one-woman memorial altar exhibit at the Loveland Museum/Gallery, entitled "Memento Mori: Deconstruction of the Nuclear Family." My gratitude to Kenneth Jessen for his thoughtful interview with me, conducted at the museum on September 24, 2009.


[appeared on the front page of the Loveland Reporter-Herald]




As there is not an on-line version of this article, I have retyped this copyrighted article below:

"From the time she was nine, Laurie Zuckerman knew that she was going to be an artist. She drew and painted from an early age but also collected beads, buttons, and shells.

"She grew up in Los Angeles as the daughter of a famous screenwriter, George Zuckerman.

"Over her career, she has had many exhibitions, and her work is on permanent public display from Washington State to Virginia.

"Some of Zuckerman's art takes the form of altars, and of this she says, "I have no idea of why I am doing what I do I find myself collecting things such as religious folk art. It all started when I was living in Blacksburg, Virginia. I had had a successful career in the Pacific Northwest and found that there was little to do here as an artist—it was simply not an art-oriented town.

"Having grown up on the West Coast, it was the first time I saw images of African American culture. I saw bottle dolls that fit over the top of a bottle and were once used as doorstops. Collecting these items was both horrible and beautiful, and I ended up with mixed feelings."

"Zuckerman's parents had a troubled marriage and occupied separate portions of their home. When her father died, her mother didn't even have a funeral. The body was cremated, and someone was hired to sprinkle the ashes on the ocean.

"Zuckerman was denied the grieving process. This was yet another reason she started creating highly personal altars to family members, and in the process incorporated distinctive Christian images.

"Zuckerman lives with these complex altars in her home with as many as three in a room. It has helped her mourn the death of her parents, but she does not pray or light candles. She says, "They are permanent features, and I will always have altars."

"The antique stand for her father's memorial contains scripts he wrote for stars such as Tony Curtis, Rock Hudson and others. Some hold childhood family photographs. To put them on public display is obviously a brave move by Zuckerman. Priceless mementos, culturally specific antiques collected over a long period of time, items from her childhood that have deep, personal meaning, sit out for anyone to see. It exposes her very soul.

"Called "Memento Mori: Deconstruction of the Nuclear Family," this intense artistic expression is unlike any previous exhibit at the Loveland Museum/Gallery."

Monday, October 19, 2009

LAURIE ZUCKERMAN'S DAY OF THE DEAD LECTURE AT LOVELAND MUSEUM OCTOBER 29th



On October 29th, Laurie Zuckerman will present her Day of the Dead lecture in conjunction with her memorial altar exhibition at the Loveland Museum entitled, "Memento Mori: Deconstruction of the Nuclear Family." Laurie has been documenting these unique altars and cemetery decorations during the El Diá de los Muertos celebrations in Colonial Mexico during the past several years. She has traveled to cities and villages in the States of Oaxaca and Guanajuato to obtain her photos. Days of meticulous preparations lead up to private remembrances in people's homes, lavish public ofrenda displays, and haunting gravesite rituals. These annual festivities occur November 1-2, in conjunction with All Souls' Day and All Saints' Day.

"The Loveland Museum/Gallery presents artist Laurie Zuckerman’s slide presentation entitled Diá de los Muertos Cemetery Decorations and Ofrenda Altar: Colonial Mexico, in conjunction with her exhibit, Memento Mori: Deconstructing the Nuclear Family. Laurie’s photographic lecture will take place on Thursday, October 29, 2009 from 7 – 8:30 pm downstairs in the Foote Auditorium. Following the talk, Laurie will speak about the personal history behind her own Day of the Dead ofrenda included in her Memento Mori altar exhibition in the Main Gallery. This confrontational installation, entitled Devil May Care, was created in honor of both parents’ memories, both the good and the bad memories. It combines the humor and sorrow of traditional Mexican ofrendas, and incorporates colorful vintage and new Day of the Dead folk art from villages in Colonial Mexico."

Laurie has previously lectured on Mexico's Day of the Dead altars at Virginia Tech University, Front Range Community College, and the Fort Collins Public Library.

The Loveland Museum/Gallery is located at 504 N. Lincoln Avenue, in downtown Loveland, Colorado. Families with older, school-age children are encouraged to attend, as the colorful photography portrays images of toys, sugar candies, and skeleton images traditionally sold for Mexican ofrendas and cemetery decorations.

http://www.ci.loveland.co.us/news/cultsvc_09zuckerman%20slide%20presentation.htm


For even more information about Laurie Zuckerman's exhibition, open through November 1, click below for the Loveland Museum/Gallery newsletter and scroll to page 2.

http://www.ci.loveland.co.us/Cultural_Services/Fall%202009%20Museum%20Newsletter.pdf

LAURIE ZUCKERMAN'S MEMORY JUGS PROFILED ON KRFC 88.9 FM PROGRAM, SPEAKING OF HISTORY: HOME ON THE RANGE



Laurie Zuckerman's memory jugs, on display at the Loveland Museum, were profiled earlier in October on Fort Collins community radio station KRFC/88.9 FM as part of their program on Storytime Radio entitled "Speaking of History: Ranching Life, Home on the Range." The show is written and hosted by Katy Little and Gail Larsen Khasawneh. Here is a transcript of their show:

"Welcome now to Museum Mysteries. On exhibit at the Loveland Museum Gallery until November 1st is "Memento Mori: Deconstruction of the Nuclear Family," altar works by Laurie Zuckerman. Laurie's installation altarpieces and sculpture honor her parents and other members of her family in a heartfelt and long-standing tradition of remembrance.

"Gail and I had research to do at the museum for our "Ranching Life" series, and when we walked into the museum, our attention was drawn to the right, into the gallery and the exhibit "Memento Mori." We were struck by the color of red and the numerous memorabilia that Laurie had collected to form altars: memorial shrines, forget-me-not tins, and memory jugs. We were walking along searching each of the memory jugs, and what should we see—a memory jug that spoke to us of ranching life. It was covered with various tokens of cowboys, Indians, cattle, wagons, horses, and more than we could name.

"We thought it would be fun for this month's "Museum Mystery" to be a memory jug. A memory jug is a hobby craft that is traced to many cultures. In America, it goes back to the Victorian era and to the Southern African-American traditions. A memory jug can be [made from] pottery, crockery, coffee pots, vases. They are covered with personal tokens: cloth, beads, buttons, figurines, shells, and jewelry— anything that might have also belonged to the deceased.

"We have picked a "Museum Mystery" for a visitor to discover at the exhibit "Memento Mori: Deconstruction of the Nuclear Family." It is the memory jug titled, "Up in Smoke." We hope you have fun as you stroll through the gallery and your eyes come in contact with that particular memory jug, and how it seemed to pertain to our program: "Ranching Life: Home on the Range."

Thursday, October 1, 2009

LAURIE ZUCKERMAN ALTAR EXHIBIT AT THE LOVELAND MUSEUM/GALLERY REVIEWED BY SARAH VAETH, Scene Magazine October 2009



http://www.scenemagazine.info/online_this_month/DivArt.html

Laurie Zuckerman at the Loveland Museum/Gallery
reviewed by Sarah Vaeth for Scene Magazine October 2009

Laurie Zuckerman is a more-is-more artist. In her solo exhibition, Memento Mori: Deconstruction of the Nuclear Family, installations and assemblages of found objects take on visual power in proportion to their abundance. 


Moments of gorgeous excess bring an obsessive personal involvement to her use of traditional craft forms of ritual and remembrance: altars and memory jugs. For Zuckerman, the emotionally charged objects (some nostalgic, some troubling) function as a time dredge. Memento Mori is a reflection upon the artist’s childhood in 1950s and early 60s Los Angeles – both the personal history of her family and the society that shaped them. By choosing objects that resonate with memories, Zuckerman re-creates the lost terrain of the past to explore and to analyze. She wryly confronts ambivalent feelings toward her fallible Hollywood parents and toward the faulty political landscape of the Atomic Age: creating a re-vision of childhood from the vantage of adult understanding.


Most of the installations are tied together with a dominant color, which unifies the objects, and has its own symbolic meaning. For example, Red Scare Altar Installation uses red in a complex metaphor. Zuckerman links the stereotyped “Red Man” of her father’s Western screenplays and the pervasive Cowboys-and-Indians games of a 50’s childhood, with Communist “Reds” of the same era. Both are adversaries in mythologized American conflicts. One was familiarized as child’s play. The other formed a fearful backdrop to Zuckerman’s childhood – routinely punctuated with the siren shrieks of air raid drills. Red also refers to the anger and volatility of her parents’ marital conflict, and the constant threat that the family would be “annihilated” by divorce. 


Zuckerman chooses and arranges period objects in a way that colors children’s pass-times with an atmosphere of anxiety. Strikingly, in the center of the altar, toy Cowboys-and-Indians props (tom-toms, feathered headdresses, hatchets, pipes) are placed, together with Chinese and Russian figurines, in the shape of a bomber dropping missiles represented by darts, pick-up-sticks, and bowling pins. 


Zuckerman reintroduces us to artifacts of recent American history – from souvenirs of the Cold War to ugly tokens of racism. But I’m intrigued by the private history she points to with strange symbolic clues – like the lobsters appearing in Red Scare Altar and its companion memory jugs. Zuckerman explains that these recall happy memories of family visits to a seafood restaurant, but more specifically they’re a double-sided recollection of Zuckerman’s mother: her favorite food and her “prickly” personality. 


For the viewer, it takes some time to absorb the narrative richness of Zuckerman’s work. I found myself relying heavily on the museum’s various interpretive materials and on the artist’s own explanations to make out the more obscure connections. Inevitably, my attention was divided back-and-forth between the work and the supporting materials. Rewarding in the end – but I wonder whether Zuckerman could have integrated text or voice narration within the work itself, or some other intrinsic means to guide the viewer through the visual “story.”


Presentation issues notwithstanding, by weaving in symbols of personal reference, Zuckerman addresses uncomfortable social issues in a way that is sincere and self-reflective. Several works honor Anne Dooley, the African American housekeeper who cared for Zuckerman when she was a small child. Zuckerman lays bare a troubled mix of feelings about Dooley’s nurturing but subjugated role in her family. In American Vodou: The Black Madonnas Installation she represents the relationship through a diorama of white baby dolls in the care of stereotyped black mammy dolls: implicating her family in an exploitative system. Yet her childhood bond with Dooley was very real. Zuckerman identifies her as her “better mother.” Without alleviating the intentional discomfort of the piece, she subverts the mammy’s role by dressing the dolls in the garb of the Black Madonna (as used in Haitian Vodou), identifying them with a powerful female archetype. I see in this act a rectifying of the child-caregiver relationship, acknowledging Anne Dooley as a powerful force in Zuckerman’s life. But Zuckerman explains that the Vodou connection first came out of her reaction to the dolls themselves, which looked to her scarily like Vodou dolls.


American Vodou is visually the strongest of the installation pieces. Among the big floor-to-wall installations, it makes the best use of the gallery space: avoiding the intrusion of wall paint and office-pattern carpet that compromises the impact and historical illusion of the other large-scale works. The many smaller altars and intricately encrusted memory jugs are satisfyingly self-contained, well-spaced, and dramatically staged, making this a thoughtful exhibit on the whole.

Monday, September 28, 2009

LAURIE ZUCKERMAN'S MEMORY JUG WORKSHOP NOVEMBER 21-22, 2009: THE ARTISTS' NOOK


Laurie Zuckerman presents a weekend Memory Jug workshop at the Artists' Nook on November 21-22, 2009. Join me for this small intimate workshop limited to the first eight people who register. You don't need to know anything about making memory jugs. I will teach you about techniques and the mysterious sensibilities of this historic American folk art tradition, and get you well on your way to finishing your first memory jug in this two-day class.

To see more examples of Laurie's memory jugs, scroll to older posts on this blog, or even better, attend her current art exhibit at the Loveland Museum, entitled Memento Mori. The exhibit showcases fourteen of her intricately constructed memory jugs alongside her poignant altar installations, all dedicated to her family. Memento Mori opened August 29 and closes on November 1, 2009.

For workshop information and registration for this workshop at the Artists' Nook in Bellvue, Colorado, click on this link: http://www.theartistsnook.net/w-memory_jug.shtml

For information on Laurie's altar and memory jug exhibit at the Loveland Museum in Northern Colorado, click on this link: http://www.ci.loveland.co.us/Cultural_Services/cultural_services_museum_exhibits.htm

For questions directed to me, email: Laurie Zuckerman

Tuesday, September 15, 2009

LAURIE ZUCKERMAN GALLERY TALK: LOVELAND MUSEUM EXHIBITION—MEMENTO MORI: DECONSTRUCTION OF THE NUCLEAR FAMILY


Laurie Zuckerman presents a free gallery talk and tour of her one-woman altar exhibition at the Loveland Museum entitled, Memento Mori: Deconstruction of the Nuclear Family, on Thursday evening, September 24 in the Main Gallery. This unique exhibit includes complex altar installations, Mexican Diá de los Muertos ofrendas, ancestor altars, and intricate memory jugs commemorating her "nuclear family" in the 1950s. The show opened August 29 and continues through November 1, 2009.

Come early or stay later to watch the video interview with Laurie Zuckerman and tour of her altars filmed in her home in Fort Collins. There are also "cellphone tours" that Laurie has recorded for the viewer discussing personal aspects of ten of the altars and memory jugs in the show.

Date: Thursday, September 24, 2009
Time: 7-8:30 pm (evening museum hours are 6-9 pm)
Cost: Free 


Location: Loveland Museum/Main Gallery, 503 N. Lincoln Avenue, Loveland, Colorado
Phone: 970-962-2410 for museum information
http://www.ci.loveland.co.us/Cultural_Services/cultural_services_museum.htm

Here is the text of my artist's biography that appears on-line in conjunction with my exhibit. Just click to enlarge.

Wednesday, September 9, 2009

MEET LAURIE ZUCKERMAN AT LOVELAND MUSEUM'S "A NIGHT ON THE TOWN" GALLERY WALK FRIDAY, SEPTEMBER 11TH


Meet the artist! Laurie Zuckerman will be "in residence" at her Loveland Museum exhibit, Memento Mori: Deconstruction of the Nuclear Family on Friday, September 11, from 6-9 pm, as part of Loveland's A Night on the Town Gallery Walk. I would love to talk with you, plus answer questions or listen to your comments about my memorial show of family altars, installations, memory jugs, shrine photography, and anything else on your mind.

The museum is at 5th and Lincoln in downtown Loveland, Colorado. Here is their website for more information:
http://www.ci.loveland.co.us/Cultural_Services/cultural_services_museum.htm

LAURIE ZUCKERMAN'S ALTAR AND MEMORY JUG EXHIBIT AT LOVELAND MUSEUM GETS PRESS

Laurie Zuckerman's altar and memory jug exhibit at the Loveland Museum has been receiving some good Northern Colorado press both on-line and in the traditional "paper" newspapers in Fort Collins and Loveland, the Coloradoan and the Reporter-Herald. Take a look at these on-line articles!



Saturday, September 5, 2009

LAURIE ZUCKERMAN'S MEMORY JUGS AND ALTARS PROFILED IN LYNNE PERRELLA'S NEW BOOK: ART MAKING AND STUDIO SPACES


Laurie Zuckerman's altars and memory jugs were photographed in her home studio last summer by Lynne Perrella and Sarah Blodgett for Lynne's new book: Art Making and Studio Spaces: Unleash Your Inner Artist:An Intimate Look at 31 Creative Workspaces. Lynne and Sarah travelled the country photographing selected art studios for Lynne's next book. They spent about four hours documenting every room of my house, since my studio spaces are spread all over the living spaces of the house, so people will get to see my family memorial jugs and home altars in context. The book is due for a January 2010 release.

I have just seen page layouts from the publisher and it looks great. My profile in the book spans six pages with text, quotes, and color photographs of my artwork in progress in the various studio spaces and display areas throughout my house. It will be fascinating to see all the other artists' studios and artwork. I have also contributed my own photos of my altars to her book, which Lynne is planning to use as the front and back inner pages of the book. I can't wait to see it!

Here is the impressive list of artists in the book. I am in great company:

Lynne Perrella
Lisa Hoffman
Lyn Bleiler
Monica Riffe
Judi Riesch
Michelle Ward
Pam Sussman
Linda & Opie O'Brien
Ellen Kochansky
Maria Moya
Bee Shay
Terrie Moore
Bill Wilson
Tracy V. Moore
Faye Anderson
Keith Lobue
Sas Colby
Steven Sorman
Melissa Zink
Armando Lopez
Nancy Anderson
R. O. Blechman
Fred Otnes
Sarah Blodgett
Pamela Armas
Jamie Purinton
LAURIE ZUCKERMAN
Michael deMeng
Judy Wilkenfeld
Johnnie Meier

Here is information about the book direct from Lynne Perrella:

* Hundreds of onsite photos, plus insights by the artists
* Visual essays on studios excerpted from Lynne’s mixed media art journals

“What a super opportunity! I have always wanted to write a book about studios, and this was my chance to not only visit studios here in the Hudson Valley in New York but also to travel throughout the Northeast and Southwest. My photographer, Sarah Blodgett, captured every detail; plus I was blessed to receive photos from several artists who did an amazing job of capturing their studio environments. Just about everyone obeyed my request – “Don’t clean up!” Unlike other rooms, studios defy all the usual rules of form and function. Never truly “finished” or static, these workspaces remain available, elastic, and open for business, while intensely private and personal.

"This remarkable creative group have thrown open the doors, windows, and drawers of their studios and welcomed us inside for look. Unique and distinctive as its inhabitant; and as personal as a signature, each studio awaits. Join me!” - Lynne Perrella

If you are interested, you can pre-order this book at Amazon.com. Here's Amazon's own blurb about the book:

Art Making and Studio Spaces is a visual studio tour, an opportunity to turn the key and discover the inner workings of artists in their ultra-personal, unique workspaces. The mission of the book is to look inside studios in progress, amidst the throes of the artmaking process, and to investigate the thoughts of the artists within. This book reveals the interplay between artist and studio, and explores how each workspace reflects a different, distinctive creative journey. Photography by Sarah Blodgett, plus contributed photos by some of the artists, combines with personal insights to provide an incomparable studio tour that will inspire you to create your own private work space. Pages from Lynne Perrella’s art journal are included, to give further insight into this bottomless topic of "art and where it happens."

Lynne Kendall Perrella is a mixed-media artist, author, designer, workshop instructor, and incurable collector. Her interests include collage, assemblage, one-of-a-kind books, and art journals. She conducts creativity workshops in the United States and abroad and exhibits collage in galleries throughout the Berkshire Mountains.

Tuesday, July 7, 2009

LAURIE ZUCKERMAN'S ALTAR EXHIBIT OPENS AT LOVELAND ART MUSEUM AUGUST 29, 2009


Laurie Zuckerman's solo exhibit at the Loveland Museum/Gallery opens Saturday, August 29, 2009 with an artist's reception from 6-9 pm. Please join me at the opening of my exhibit, MEMENTO MORI: Deconstructing the Nuclear Family, honoring my family during my Cold War era childhood. The show will be chocked full of home altars and huge altar installations, a Day of the Dead ofrenda, 14 memory jugs, and dozens of shrine photographs from Mexico and the Southwest. I have created nearly all of the work in this exhibit since 2001, and much of it has never been on view in Northern Colorado or anywhere else. It is my most extensive exhibit to date, as the Main Gallery of the Loveland Museum is a huge exhibition space at 3750 square feet.

I do hope to see you at my opening of "MEMENTO MORI: Deconstructing the Nuclear Family. If you miss the opening, then you'll still have until November 1, 2009 to catch my exhibit. I will be giving two lectures in conjunction with the show, so watch for posts announcing the Gallery Talk and the Day of the Dead Lecture. The museum newsletter, posters, and showcard are due out anyday.

The Loveland Museum/Gallery has posted this announcement and press release at these two links:

http://www.ci.loveland.co.us/Cultural_Services/cultural_services_museum_tempexh_upcoming.htm

http://www.ci.loveland.co.us/news/CultSvc_09Laurie%20Zuckerman.htm

Thursday, April 9, 2009

LAURIE ZUCKERMAN PHOTOGRAPHS SANCTUARIO DE CHIMAYO IN NEW MEXICO





Laurie Zuckerman visited the Sanctuario de Chimayo in Northern New Mexico, northeast of Santa Fe during Spring Break. They now have regulations against photographing inside the churches, but it is still okay to photography outside in the courtyard below the church. Here are two shots of the wooden crucifix that is so laden with rosaries, petitions, and christmas lights, it is almost unrecognizable as a Christ. The last shot is of one of the cyclone fences surrounding the courtyard. The entire fence is threaded with handmade wooden crosses. The Sanctuario is a world famous shrine. Not to be missed!! It is my personal favorite place in New Mexico.

Wednesday, April 8, 2009

LAURIE ZUCKERMAN PHOTOGRAPHS HISTORIC FOLK ART SITES IN CENTRAL NEW MEXICO




Laurie Zuckerman traveled to New Mexico in March in came across an historic ranch called Pueblo Bonito, just south of Mountaineer. This property built and designed by Pop Schaefer in the 1920s and 30s is listed on the National Historic Register of Places.

LAURIE ZUCKERMAN PHOTOGRAPHS UNUSUAL NEW MEXICAN BOTTLE TREE


Laurie Zuckerman's March visit to New Mexico uncovered a classic folk art bottle tree in the middle of a remote area southeast of Albuquerque. But look carefully. Those aren't blue glass bottles as are typically seen in the South. Those are aluminum beer cans! Someone did a lot of drinking in order to construct this tree. Still it looks pretty good.

Sunday, March 29, 2009

LAURIE ZUCKERMAN CREATES MINIATURE FORGET-ME-NOT ALTARS




Laurie Zuckerman has been working on a large series of tiny altars she calls Forget-Me-Not boxes for the past couple of years. These three photos are examples from the set that I have completed this winter, most of which will be included in my solo altar exhibit at the Loveland Art Museum, as they accompany a full-size altar of the same name. Let me know what you think? Never worked this small before. My show opens August 29-November 1, 2009. Watch for new posts!

Monday, March 23, 2009

LAURIE ZUCKERMAN PHOTOGRAPHS NEW MEXICAN CHURCHES, CEMETERIES, AND ROADSIDE SHRINES DURING 2009 SPRING BREAK TRIP




Laurie Zuckerman just returned from this year's Spring Break adventure to New Mexico to photograph the St. Augustine Church at the Isleta Pueblo, the Salinas Pueblo Mission National Monument, and a host of remote cemeteries and churches in the Spanish Land Grant communities southeast of Albuquerque. It is always a treat to find beautiful statuary in the churches, so I am posting a few of the best pieces from the Isleta Pueblo. Below is a shot from the large shrine on the church plaza. St. Augustine was established in 1613. It is one of the oldest mission churches in the United States.

Discovered the Salinas Pueblo Mission ruins on the internet, having never heard about them prior. All three of the distinct sites were stunning, my favorite was the Quarai Ruins. The scale of this early 17th century Spanish Franciscan Church was magnificent. At least four stories high.


One of my favorite churches along our route was built in 1829 in the village of Manzano. I received special access to the church by the metalsmith who had designed the gates to the cemetery surrounding the church.


As always, the condition of the cemeteries is one of neglect, vandalism, and deterioration. I have been documenting the Hispanic cemeteries of New Mexico and Southern Colorado for at least six years now, in pursuit of publishing a photography book. I found some wonderful folk art graves on this journey to the eastside of the Manzano Mountains. Here are two out of the hundreds of pictures I am sorting through this week.




On the way to the town of Mountaineer, New Mexico, I stumbled upon this roadside shrine, just outside the boundary to the Salinas Pueblo Missions National Monument. Very sweet Madonna.


Wednesday, February 18, 2009

LAURIE ZUCKERMAN'S SOLO ALTAR AND MEMORY JUG EXHIBITION AT LOVELAND ART MUSEUM OPENS AUGUST 29, 2009


Laurie Zuckerman is working furiously on new artwork for her upcoming solo exhibition at the Loveland Art Museum in Northern Colorado. I am working on altar installations, memory jugs, memory boxes, and shrine photography, most of which has never been exhibited before or in Northern Colorado. Almost all of the three-dimensional assemblages have been created to memorialize each of my deceased parents, Blanche and George Zuckerman. The show is entitled Memento Mori: The Deconstruction of the Nuclear Family.

It'll take me two weeks just to set up the show, as the gallery is nearly 4000 square feet. That kind of space holds a lot of altars. The museum curator and her new exhibits curator are coming to my studio at the end of this month to finalize the construction details for the exhibition. I have everything laid out on a floor plan for them to review, although I keep erasing things and shuffling them around.

The opening reception is set for Saturday, August 29, 2009 from 6-9 pm. The show closes on The Day of the Dead—November 2, 2009. I have friends and family flying in from around the country. Loveland is only a few stunning miles up the Big Thompson Canyon to Estes Park and the Rocky Mountain National Park.

Friday, January 9, 2009

LAURIE ZUCKERMAN PHOTOGRAPHS CHRISTMAS FESTIVALS IN OAXACA, MX: EL NOCHÉ DE LOS RABANOS, aka THE NIGHT OF THE RADISHES



Laurie Zuckerman spent two weeks photographing the 2008 Christmas holiday festivals in sunny Oaxaca, the highlight of which is El Noché de los Rabanos. Here are my favorite radish displays from the Night of the Radish Festival in Oaxaca, Mexico. I was fascinated by the traditional religious themes carved out of hugh gnarly radishes that begin drying out the minute the artists start carving. These are my picks for the most magical of these spiritual displays, including the birth of Jesus, Oaxaca's patron saint—the Virgen de Soledad, a Mexican funeral, and a nativity scene.





These next photos are the two most complex cornhusk creations, known as Totomoxtle. I was completely amazed by the intricate details in this first creation showing a procession of Jesuses in front of the Catedral. I am hoping that this artist won the contest. I spent hours photographing the man setting up this installation.







My next favorite cornhusk creation is this tableau of Christian themes, including the Crucifixion and the Last Supper.



And this little display of is Jesus on a donkey or a horse, at least I think it is Jesus, was very touching. I never saw anything like these for sale, but I would have bought this one.


Here are my favorites from the strawflower, or immortal flower competition. The first photo shows the Crucifixion. The next three figures are the three most popular Virgins of Oaxaca: the Virgin of Guadalupe, the Virgin of Soledad, and the Virgin of Juquila. A little abstract perhaps, but sweet and colorful.




Tuesday, November 25, 2008

LAURIE ZUCKERMAN'S MEMORY JUG INSTRUCTIONS BOOK: NEW VERSION ON SALE! How to make memory jugs and memory vessels!



Laurie Zuckerman's how to make a memory jug instructions book is available for order in a new expanded addition. Lots more photos, plus never before published images of Laurie's own memory jug creations, which will be on display at the Loveland Art Museum in Loveland, Colorado from August 29-November 1, 2009. (See newer post.)

MEMORY JUGS: Images, Instructions, and Theories, is designed for anyone interested in studying about American folk art memory jugs, or creating their own traditional-style or contemporary memory jug, whether you are an artist or not. This 182-page, full-color book on CD contains my in-depth, step-by-step instructions; an extensive photo gallery of traditional memory jugs; a contemporary memory jug gallery; and an array of current internet sources exploring the history of memory jugs and other memory vessels.

I offer two options for purchasing this "workshop in a book."

OPTION #1: Memory Jug Book in CD format: $20
OPTION #2: Memory Jug Book in CD format, plus 2 hours of email assistance: $65

The first option is the CD book alone without instruction. The second option includes the CD book along with two hours of my personal assistance, via email or phone, during the construction phase of your memory jug. Please specify your preference when you order. Payment is accepted through Paypal via the Send Money option, personal check, or money order.

Add $2 for shipping charges for first class mail in a padded manila envelope.

Please email your request or questions to: Laurie Zuckerman: zucky@qwest.net

Here's a nice testimonial from one satisfied customer, Cathie Conzemius:

Wednesday, November 12, 2008

LAURIE ZUCKERMAN'S MEMORY JUG "A BONE TO PICK" APPEARS IN PASTICCIO QUARTZ #5



Laurie Zuckerman's new memory jug, "A Bone to Pick," is featured in the gallery section of Pasticcio Quartz #5, a 72-page Holiday Mosaic Extravaganza published by artists Sarah Fishburn and Angela Cartwright. This jug and many other new and never before exhibited memory jugs will be on display next summer at the Loveland Museum & Gallery, when Laurie Zuckerman fills the museum with home altars, memory jugs, and shrine photography. The exhibit opens on August 29, 2009.

In the tradition of the finest art salons, each issue of Pasticcio Quartz offers a "panoply of new art, books, food, history, movies, people, photographs, products, quotes, music, thought, and words served up as a delectable printed pastiche."

To purchase a copy of this issue or other back issues, log onto: http://stores.lulu.com/cartwrightandfishburn

Sunday, October 12, 2008

LAURIE ZUCKERMAN'S DIA DE LOS MUERTOS ALTAR ON DISPLAY AT THE ARTISTS' NOOK AND THE BELLVUE STORE THRU NOVEMBER 2




A simple Diá de los Muertos Ofrenda altar by Laurie Zuckerman is on display at the historic Bellvue Store. The altar was up for the 1st Annual Dia de los Muertos Celebration in conjunction with Bev Perina's monthly Fine Art & Antique Shows and The Artists' Nook Diá de los Muertos Art Challenge, October 10-November 2. The community was invited to participate in this ofrenda ritual by bringing offerings and photos to celebrate the lives of their loved ones, and a couple of artists brought photos at the opening. I created a nicho in honor of the "Mexican Kitchen" to top the altar. The altar is not dedicated to anyone in my family, as I wanted it to be a neutral space for people to contribute to.


The Coloradoan newspaper's entertainment Ticket editor, Stacy Nick, interviewed me by phone for her article on Day of the Dead art and altar events in Northern Colorado this week. Here's the text of the article. The newspaper version included a photo of my Day of the Dead altar installation that was on display at the Loveland Art Museum's Grave Matters exhibit in the summer of 2006.
The bright colors and mocking skeletons used to celebrate Dia de los Muertos (the Day of the Dead) may seem a tad morbid but it's that artwork that has captured the interest of people around the world.

Art has been heavily tied to the Day of the Dead (Nov. 1 and 2, when people erect altars to honor and communicate with deceased family members), especially after artist Jose Guadalupe Posada (1851-1913) created his cartoonish skeleton characters, said Laurie Zuckerman, a local altar installation artist and photographer.

"Folk artists kind of jumped on that whimsical art work," said Zuckerman, who for years has travelled to regions in Mexico to see the various ways they celebrate the holiday.

Day of the Dead altars, featuring flowers, photos, food and drinks, traditionally were used as a way to encourage the souls of deceased family members to visit. But they have also come to highlight a unique niche in the art world.

Many local museums host their own Day of the Dead celebrations this week to examine the cultural and spiritual significance as well as the artistic expressions.

There is a strong American fascination with Day of the Dead celebrations and art, said Zuckerman, who puts a less religious take on her altars, using them as both creative outlets and as a way to honor her family rather than to communicate with them.

"The thing that caught me was just the attitude about celebrating death in such a way, really mocking death," she said. "Then there's this belief that the Mexican people believe the souls are really coming back once a year and they better throw them a pretty damn good party.

"I don't know that many Americans can go quite that far, but I think they're intrigued by it," Zuckerman added. "It's so opposite from anything we do here. It's so colorful and positive, and I think it really flies in the face of how our culture deals with death and mourning."

Check out this on-line version of the article.
http://www.coloradoan.com/apps/pbcs.dll/article?AID=/20081030/ENTERTAINMENT/810300302



Had a wonderful write up on Leaua Phillips blogsite in response to my Dia de los Muertos altar at the Bellvue Store. Check out her blog at: http://leauaphillips.blogspot.com/2008/10/tis-season.html

Thursday, September 11, 2008

LAURIE ZUCKERMAN'S DAY OF THE DEAD ALTARS AND PHOTOGRAPHY AT VIRGINIA TECH UNIVERSITY, OCTOBER-NOVEMBER 2008












Laurie Zuckerman currently has an installation of three Day of the Dead altars in Virginia Tech's Diá de los Muertos exhibit at the Perspectives Gallery in Squires Student Union. It is a colorful and lively show, excellently curated by Mary Tartaro, director of the gallery. The show was mounted to coincide with Hispanic Awaremess Month.

Best of all, my bestfriend and altarmaking pal in Blacksburg, Kathy Pinkerton, is also featured in this exhibit and has a spectacular altar display as the centerpiece of the show. It is the closet thing I have ever seen to the over-the-top exuberance of Oaxacan Day of the Dead ofrendas. Below is a wide-shot of Kathy's installation.



The gallery invited me to fly out to give the keynote lecture on my travels to photograph Colonial Mexico's Day of the Dead altars, prior to the opening on October 3, 2008. I shipped all the myriad pieces of the altars and set-up my detailed installation the day before the show opened. (14 hours and many gallery helpers later, it was complete.) I also have 25 of my Day of the Dead photos from San Miguel de Allende, Guanujuato, and Oaxaca included in this exhibit. Three of my photos are used on the show announcement included with this post above.


The News Messenger of Montgomery County, Virginia published this front page article on October 8, 2008. Here are some quotes from the article by reporter Lauren Page, who interviewed myself and Kathy Pinkerton.

"Zuckerman describes her altar as more mournful that the rest of the pieces on display at the the exhibit. The altar, entitled "Devil May Care", is mostly black with an orange background. Zuckerman said the altar contains many references to Hallowe'en, including vintage American Hallowe'en decorations beside Mexican Day of the Dead artifacts. The black and orange color scheme has a three-fold meaning, she said. First, orange and black are the colors of Hallowe'en. Second, the orange represents the marigolds traditionally used at Mexican Day of the Dead festivals. Third, since it is next to [Kathy] Pinkerton's fuchsia altar, the two colors side by side look like the signature VT maroon and orange, Zuckerman said." [Actually this is bit of a misquote, as I was referring to the maroon and orange colors within my own altar installation being chosen in homage to Tech's school colors.]

"I like puns and double-entendres," Zuckerman said. "I like things to have a lot of different [visual] meanings.

"Devil May Care" is an homage to Zuckerman's parents. There is a large altar in the center, flanked by two smaller ones. The left side memorializes her mother. The right side memorializes her father. Zuckerman described her parents as "difficult and contentious."

"It was very painful dealing with their anger and bitterness," Zuckerman said. "This altar...represents the lighter side of what I kept bottled up inside."

The following web article at Virginia Tech University announced Laurie Zuckerman's altar installation, photography, and slide lecture in conjunction with the Perspectives Gallery group exhibition of Diá de los Muertos, October 3-November 8, 2008. The other artists included in the show are The Artgirlz group, Mindy & Baldwin True North, and Gilda Machin-Scarpaci, who all created wonderful altars for the show.

http://www.uusa.vt.edu/news/dayofthedead.php

Monday, June 9, 2008

LAURIE ZUCKERMAN'S MEMORY JUG WEEKEND WORKSHOP AUGUST 2-3, 2008



Laurie Zuckerman is teaching a two-day weekend workshop on Memory Jugs, Saturday and Sunday, August 2-3, 10 am-5 pm.
Please email Laurie at zucky@qwest.net for reservations and more details before July 30, 2008.

If you have ever wondered about memory jugs, now is your chance to delve into this mysterious Victorian American folk art tradition and make your own enigmatic jug. This small intimate workshop will be offered at a private location in Fort Collins. Bring your own jug, jar, or teapot and all the little memories you've been saving to create your own piece of American folk art, or purchase an antique jug from Laurie. All other supplies will be provided. An instruction book is included in the cost of the workshop. Cost will be $145. Advanced reservations required by July 15, 2008.

Laurie has been making memory jugs since 2004, using her eclectic found art assemblage style. Laurie is best known for her altar installations and memory jugs, which have been on display at the Fort Collins Museum of Contemporary Art, the Loveland Art Museum, and the Durango Art Center. Her memory jug artwork has been published most recently in Lynne Perrella's new book on assemblage artists around the country entitled: Artmaking, Collections, and Obsessions. Please browse this blog for examples, articles, and reviews of Laurie's assemblage art.

Wednesday, April 9, 2008

LAURIE ZUCKERMAN TOURS CEMETERIES AND MISSIONS OF WEST TEXAS




Laurie Zuckerman just returned from her latest photograph journey to the mission churches and cemeteries in West Texas. Despite the 400-year history of Spanish and Indian settlement along thie Mission Trail in El Paso and Juarez, Mexico, I found the churches to be much less decorative and distinctive than the churches in Northern New Mexico. The oldest of the churches is in Juarez, but it was closed the day I walked across the border. Had to settle for some beer and guacamole and helado on a stick.

As far as the cemeteries in this region, I was even more disappointed. The graves were not particularly unique from a folk art standpoint and the level of vandalism was the worst I have ever witnessed. I managed to get just a few photographs of any note. The most unique cemeteries were actually far afield in the towns of Terlingua, Lajitas, and Study Butte, all neighboring Big Bend National Park. The Terlingua ghost town cemetery is on the National Register of Historic Places and was truly decrepit, but the locals tell me it is cleaned up and decorated annually for the Day of the Dead.

Also took the tour in Marfa of Donald Judd's Chinati Foundation, and decided once and for all that minimalism is not my game. I did appreciate, from a found object assemblage standpoint, John Chamberlain's junked car part sculptures. Marfa, Texas may be the up and coming "Santa Fe" of West Texas, but it wasn't exactly my cup of tea.

LAURIE ZUCKERMAN LECTURES ON MEMORY JUGS FOR THE REMARKABLE WOMEN SERIES


Laurie Zuckerman was invited to speak on Memory Jugs for the Remarkable Women Series sponsored by A Place for Every Woman's Spirituality in Fort Collins, Colorado. The well-attended lecture was held on April 4th. Since there is so little known about folk art memory jugs, I concentrated on my personal history with making memory jugs and memorial jugs. I plan to offer a workshop through this women's center later this spring or summer.

http://www.everydaymysteries.com/Remarkable%20Women.htm

"Laurie Zuckerman constructs enigmatic memory jugs from antique and vintage found objects. She has conducted memory jug workshops at the Loveland Art Museum and the Artists' Nook in Fort Collins. she has exhibited her altar installations, memory jugs, and shrine photography since the mid-1990's, at the Elmhurst Art Museum in Chicago, the University of Northern Colorado, the Loveland Art Museum, the Fort Collins Museum of Contemporary Art, and the Durango Arts Center.

"Memory jugs, an American vernacular folk craft from the Victorian era, are believed to honor the dead with personal tokens once belonging to the deceased -- shells, jewelry, toys, buttons, beads, etc. Some art historians propose that memory jugs are linked to Southern African-American funerary traditions, and may have been used to decorate their gravesites.

"Laurie's memory jugs appear in the 2008 book by Lynne Perella: Art Making Collections and Obsessions (Quarry Publishers). In 1999, Laurie was included, along with 99 other woman altarmakers, in a book by Kay Turner, A Beautiful Necessity: The Art and Meaning of Women's Altars.

"Laurie was born in Los Angeles and received her B.A. in Fine Arts from the U. of California, Berkeley; and her B.F.A. in Painting from the U. of Oregon. She is a painting and drawing instructor at Front Range Community College, and lectures publicly on altarmaking to universities, colleges, museums, galleries, libraries, and arts organizations."

Tuesday, March 4, 2008

LAURIE ZUCKERMAN'S PHOTOGRAPHY AT SLIDING DOOR GALLERY IN DENVER


Laurie Zuckerman's digital image, "Baja Madonna" was juried into the new exhibit, "Current Works on the Front Range," at the Sliding Door Gallery in the popular Santa Fe Arts District in Denver, Colorado. The show presents a survey of photography by 22 regional artists and photographers and includes a range of work from traditional photography processes to digitally manipulated photographic collage. The exhibit was timed to correspond with Denver’s Month of Photography. My photo is one of my all-time favorite digital photos I shot in a decrepit graveyard in a remote town in colonial Baja del Sur. This altar was inside a private mausoleum whose door had been broken open.

Two public openings: Friday, March 7th and Friday, March 14th from 6-10 pm.

The show runs through Sunday March 30th. Regular hours are Fridays, Saturdays and Sundays from 1-5 pm.

554 Santa Fe Drive, Denver, CO 80204, Phone: 720-979-4448.

Monday, February 11, 2008

LAURIE ZUCKERMAN'S MEMORY JUGS PROFILED IN BEAUTIFUL ART BOOK BY LYNNE PERRELLA: Art Making, Collections, and Obsessions





Laurie Zuckerman's memory jugs are profiled in Lynne Perrella's newest book: Art Making, Collections, and Obsessions: An Intimate Exploration of the Mixed-Media Work and Collections of 35 Artists. I am one of the 35 obsessed artists she has selected for this publication, and I am proud to be in such great company with Michael deMeng, Keith LoBue, and of course, Lynne Perrella. My copies of this beautiful hard-cover book just arrived in the mail this afternoon. I took some photos of my four-page spread that features several of my very obsessed memory jugs, along with the "fixin's" for another jug not pictured. Lynne has also used one of my photos for the frontispiece of her book. Thank you, Lynne! You did an awesome job putting this book together. Amazon.com already has twelve 5-star reviews of the book.

Amazon.com website to order book:
http://www.amazon.com/Art-Making-Collections-Obsessions-Exploration/dp/1592533639/ref=pd_bbs_sr_1?ie=UTF8&s=books&qid=1202864898&sr=8-1

Book Description from Amazon.com:
"A glimpse into the personal collections and work of 35 major artists.

"This large format, full-color, inspirational book is about how artists use their collections to make artwork. The gallery-style format allows readers to see what artists collect, and the resulting spectacular artwork they make from it. The book will feature the collections and the artwork of thirty-five major mixed-media artists. The artwork will include journals, assemblages, altered books, as well as jewelry pieces, and detailed descriptions of the materials and techniques used, plus tips and insights into using unusual materials and collections.

"Mixed-media artists are naturally collectors. They are fascinated by the stuff of life, and they are always looking for the right elements to add to their collages and journals. This book offers a juicy combination -- sort of a walk through an artist-filled flea market, and a gallery of the pieces created using these collections with tips and insights on collecting and creating, and how they go hand in hand."

About the Author:
Lynne Perrella is an artist, author, and workshop instructor. Her art interests include collage, assemblage, art journals, and one-of-a-kind books. Her first two books, Artists' Journals & Sketchbooks and Alphabetica were published by Quarry. Her third book, Beyond Paper Dolls came out in September 2006 by Stampington. She contributes articles to a variety of magazines, including Sketchbooks, Martha Stewart's Body + Soul, and Mary Englebreit's Home Companion. Her work has appeared in various books on mixed media including: Collage for the Soul, True Colors, Crafting Personal Shrines, Altered Books, The Complete Guide to Altered Imagery, Quilted Memories, and others. Lynne also appears in the documentary film, ?1000 Journals?. She conducts creativity workshops at venues throughout the United States and abroad. She exhibits collage and assemblage at galleries throughout the Berkshires in western Massachusetts. Her website is www.LKPerrella.com.

Monday, February 4, 2008

LAURIE ZUCKERMAN'S NEW MADONNA SHRINE


For my Christmas present, my husband Tom Mathies spent days sawing, carving, and painting me an exquisite shrine out of alabaster, cholla cactus, rusty tin, and gold leaf. For the focal point, I gave him a chalkware Madonna head I had found in a trash can in Southern Colorado. Tom used found materials that he had located in Wyoming and New Mexico. Last year he carved an alabaster grotto for my birthday. I can't wait for him to make another shrine!

Sunday, February 3, 2008

LAURIE ZUCKERMAN'S COLOR PHOTOGRAPHS OF DAY OF THE DEAD ALTARS IN OAXACA, MEXICO TO APPEAR IN INDIE ARTS DVD MAGAZINE




Just received my copy of Karen Landey's Indie Arts DVD, Issue 7. A collection of Laurie Zuckerman's Oaxaca, Mexico photos are profiled in the gallery section of the DVD. I attended Michael deMeng's Day of the Dead altar workshop in Oaxaca last fall with 20 other artists from around the country. I am very excited to be in this issue along with Michael deMeng and Lisa JonesMoore, a Seattle artist who was also in his workshop. The photo above was taken in Teotitlan del Valle, at the home of weaving family. The other photos included on the DVD concentrate on the ornate El Diá de los Muertos altars in Oaxaca's cemeteries, churches, and public squares. This issue features an antiquing painting demo with Artist and Author, Michael deMeng during his 2007 workshop in Oaxaca, Mexico.

If you want to check it out, follow these links to Indie Arts' website for previews of this issue and ordering information:

www.indieartsdvd.com/guideissue7.htm
www.indieartsdvd.com/Previews.htm

Wednesday, January 23, 2008

LAURIE ZUCKERMAN'S PHOTOS OF MEMORY JUG, BOTTLE TREES, & FOLK ART MEMORIALS FROM SAVANNAH



I returned from a great adventure in Savannah in January, hunting for folk art in flea markets and antique stores, visiting museums, and traveling through Gullah country in South Carolina. On my journey with my best artist buddy, Kathy Pinkerton, we photographed two bottle trees, one on the historic island of St. Helena, SC, and the other right around the corner from Kathy's home in Savannah. The bottle tree was in front of a huge African-American/Gullah folk art gallery named Red Piano Too.

Bottle tree's can be traced back to African origins. Sarah Fishburn just sent me this blurb from The House of Voodoo:

"The belief in and use of spirit bottles can be traced back to 9th and 10th century Congo where colorful bottles, traditionally cobalt blue, were placed on the ends of tree branches to catch the sunlight. It was thought that when an evil spirit sees the sunshine dazzling from the beautiful bottles, it is enamored and enters the bottle. Like a fly, the spirit then becomes trapped within the bottle; too dazzled by the play of light, the spirit prefers to remain in its colorful prison, rather than trouble the world of the living."

I spent the week asking about memory jugs, and on the last day, in the last hour of my trip, Kathy and I got lucky at the Telfair Art Museum in Savannah. Here is a shot of the only jug they had on display in the children's area of the museum, under the category of, "What is this?" It was beautiful. It is the first jug I have ever seen in a museum, besides my own at the Loveland Museum. It is only the third antique jug I have seen in person in the 14 years since I bought my first one.


An interactive computer display next to the jug helps kids or adults to decipher its true meaning.

Here is a shot from Kathy Pinkerton's altar exhibit at the Savannah College of Art and Design in 2002. I love this Madonna altar!
Missed the exhibit, unfortunately, but was still living in Blacksburg, Virginia when Kathy was working on this shrine.


The most brilliant piece of folk art we found was in Savannah, in a neighborhood outside of the historic district. It was created entirely of papier maché by artist, James Kimble, and is called The Black Holocaust Memorial. Kathy had the opportunity to buy a smaller version of the memorial, which was equally beautiful.


LAURIE ZUCKERMAN'S ALTAR FEATURED IN CURRENT ISSUE OF PASTICCIO ZINE



Laurie Zuckerman's huge altar installation, "In the Pink" appears in the current issue of Pasticcio, a collaborative "zine" venture by artists Sarah Fishburn and Angela Cartwright. The issue is filled with beautiful artwork by artists around the country. I am thrilled to be included in the gallery section of this publication, thanks to my new friend, Sarah Fishburn!

"PASTICCIO is a pioneer in the next wave of a dynamic arts publication arena; with this 72-page Holiday 2007 issue, it has evolved into a QUARTZ: a QUality ARt Zine. To be specific, PASTICCIO 2 QUARTZ is meticulously jam-packed with a plethora of compelling (and fun!) information and incredible work from well known artists (and a few up and comers as well). Find inspiration, specific tips and techniques, reviews, art history, and a few special “gifts” within its pages. Printed on high quality glossy paper, its essence and design are as integral as the contents."

The magazine can be ordered at: http://www.lulu.com/content/1619814